{"id":47551,"date":"2025-02-25T12:00:18","date_gmt":"2025-02-25T12:00:18","guid":{"rendered":"https:\/\/www.classic-monsters.com\/shop\/?post_type=product&p=47551"},"modified":"2026-04-02T11:14:38","modified_gmt":"2026-04-02T11:14:38","slug":"classic-monsters-magazine-issue-36","status":"publish","type":"product","link":"https:\/\/www.classic-monsters.com\/shop\/product\/classic-monsters-magazine-issue-36\/","title":{"rendered":"Classic Monsters Magazine Issue #36"},"content":{"rendered":"

In stock for immediate shipping.<\/span><\/h2>\n

Now with 84 pages, bringing you more monsters than ever!<\/span><\/h2>\n

Classic Monsters of the Movies issue #36 combines the very best of classic horror cinema with modern production values, to bring you an informative, inspiring and above all entertaining view on the vintage horror movie genre. Our award-winning mix of quality journalism, commentary, gorgeous glossy presentation and premium production values means that whichever area of classic horror is your favourite, you\u2019ll find a home here. With articles by some of the industry\u2019s leading writers, Classic Monsters of the Movies #36 is as diverse and captivating as some of those beloved horror movies themselves. Every one of our insightful articles is accompanied by beautifully restored stills – you might never have seen your favourite movies looking so good. Whether your penchant is for silent terrors, the golden age of Hollywood horror, the age of Hammer or more modern contributions, you\u2019ll find that Classic Monsters of the Movies is a perfect way to immerse yourself in the world of vintage monster motion pictures.<\/p>\n

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This issue starts with a bang, and a truly iconic image from the world of British horror cinema. Daniel Horne\u2019s sumptuous artwork of David Peel and Yvonne Monlaur leads into the first of many compelling articles in Classic Monsters of the Movies #36: a retrospective on 1960\u2019s The Brides of Dracula<\/em> by renowned writer, actor and biographer Jonathan Rigby. Celebrated as one of Hammer\u2019s most exciting and satisfying motion pictures, The Brides of Dracula<\/em> helped to cement the concept of Hammer Horror in the minds of fans, its eerily seductive atmosphere and a raft of brilliant performances turning it into something very special indeed. In his inimitably knowledgeable yet eminently readable style, Jonathan leads you through the story beats of this brutal and majestic entry into vampire lore, exploring not just the plot development but the many details that make The Brides of Dracula<\/em> such an extraordinary part of the monster movie landscape.<\/p>\n

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We head a little further back in movie history for our next feature, as Nige Burton rediscovers Tod Browning\u2019s 1932 shocker Freaks<\/em>. Controversial at the time of its release, and banned for years in some countries, this hymn to the marginalised has lost little of its power, telling an evergreen story of discrimination, cruelty and beautifully ice-cold revenge. Nige examines the movie\u2019s development, its daring use of real \u2018freak\u2019 performers as its cast, its enduring themes of exclusion and exploitation and, naturally, the fascinating results. So much more than a horror movie thanks to director Tod Browning\u2019s empathetic presentation of its outsider stars, not to mention the many twists of its story and its flirtations with some dark subject matter, Freaks<\/em> always deserves another watch: packed with information and lavishly illustrated with stills restored to our signature quality, this article is another reason why Classic Monsters of the Movies issue #36 is an essential for your collection.<\/p>\n

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From the shadowy world of travelling freak shows, we look at the monsters who were determined to stay in the limelight once they arrived, with Jamies Jones\u2019 look at the power of movie sequels in the horror world. The power of a follow-up is undeniable, and in some cases the second movie can be better than the original, but it\u2019s more complicated than that. Sometimes a sequel offers the opportunity to include material that was missed from the first movie, sometimes it\u2019s just a way to cash in, but there are often new ideas that can take a burgeoning franchise in a new direction; and that\u2019s before we even look at the idea of the remake. In this thought-provoking feature, Jamie recounts some of the huge hits, the memorable misses, and the impact that sequels have had on our appreciation of classic horror movies.<\/p>\n

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From the extended storytelling that has characterised some of the classic horror world, we zero in on one particular monster, as screenwriter and playwright John Logan looks at actor Frank Langella\u2019s presentation of Dracula on the stage and in the star-studded 1979 movie adaptation. Langella\u2019s Dracula is the quintessential domineering vampire lover, charming and terrifying in equal measure and laying the foundations for many later portrayals. John\u2019s experience as an award-winning playwright and screenwriter gives him a unique perspective on – not to mention direct personal connection to – Langella\u2019s work, and in this engaging, evocative piece you\u2019ll gain a deeper appreciation for Dracula both on the stage and in John Badham\u2019s bombastic, John Williams-scored motion picture. A brace of glorious stills bring the action to life as you explore the rich Gothica of both the play and the movie in a supremely entertaining piece of commentary that makes Classic Monsters of the Movies #36 a must-have.<\/p>\n

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As if Carfax Abbey weren\u2019t creepy enough, we have plenty more hauntings to offer, as writer, actor and impressionist Steve Nallon continues his remarkable look at cinema\u2019s many and varied haunted house stories. This instalment focuses on the story craft of the haunted house movie – the rules and structures that define the genre. With examples taken from throughout movie history and crossing from traditional ghost horror to thrillers and even comedies, Steve shows how movie ghosts and those around them are often bound by recognisable limitations and story tropes. As you\u2019ll discover though, these familiar rules have been pushed, twisted and reworked in myriad ways to create new ways, and naturally, there are always exceptions that prove the rule. The haunted house movie is an ever-changing, ever-evolving phenomenon that\u2019s always open to new ideas within its familiar framework.<\/p>\n

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Among cinema’s many creepy abodes, you could probably count Castle Frankenstein, and who better to speak to than the master of the house? In issue #36 of Classic Monsters of the Movies we chat to Hammer’s youthful Baron Frankenstein, actor Melvyn Hayes, whose new memoir chronicles his extraordinary life and a career that includes such highlights as beloved sitcom It Ain’t Half Hot Mum<\/em>. As 1957’s The Curse of Frankenstein<\/em> receives a beautiful new release in restored 4K format, Melvyn shares his memories of life at the beginning of the Hammer Horror age.<\/p>\n

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We move from a Hammer legend to some 21st century horrors, with a look at claustrophobic 2005 nightmare The Descent<\/em>. Directed by Neil Marshall, who offered a gripping take on werewolf horror with 2002’s Dog Soldiers<\/em>, this tale of a caving expedition gone very wrong is a feast for horror fans, and our evocative feature is packed with gorgeous stills that capture the shadowy dread and pulse-racing terror that have garnered The Descent<\/em> such a cult following.<\/p>\n

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Classic Monsters of the Movies issue #36 continues our tradition of high-end production values, passionate journalism and exceptional presentation. Printed to A4 size (210mm x 297mm) with its 84 pages held by a square bound spine, it\u2019s beautiful from the get-go, with the luxuriously glossy cover infusing Daniel Horne\u2019s stunning cover art with energy. The inner pages are printed on fine silk stock that offers a subtle sheen, while our use of full colour print processes means even black and white stills have a wide range of tones and shades. Traditional fanzine-style monochrome printing leaves black and white images miserable and lifeless; here, they burst with detail and depth. Meanwhile, the sleek and timeless design makes for an easy and absorbing reading experience.<\/p>\n

Inside Classic Monsters of the Movies #36 you\u2019ll find:<\/p>\n