{"id":45052,"date":"2024-04-05T00:00:35","date_gmt":"2024-04-05T00:00:35","guid":{"rendered":"https:\/\/www.classic-monsters.com\/shop\/?post_type=product&p=45052"},"modified":"2025-11-13T11:44:16","modified_gmt":"2025-11-13T11:44:16","slug":"classic-monsters-magazine-issue-34","status":"publish","type":"product","link":"https:\/\/www.classic-monsters.com\/shop\/product\/classic-monsters-magazine-issue-34\/","title":{"rendered":"Classic Monsters Magazine Issue #34"},"content":{"rendered":"

In stock for immediate shipping.<\/span><\/h2>\n

Now with 84 pages, bringing you more monsters than ever!<\/span><\/h2>\n

Classic Monsters of the Movies issue #34 is packed with even more of your favourite classic horror cinema, with our increased 84-page format bringing you a bigger helping of the films, stars and nostalgia that makes us Monster Kids tick. Our award-winning approach to the movie monsters of yesteryear takes you back to the beloved crypts, laboratories and forests of yore as we revisit a wealth of vintage chills, along with some modern additions that evoke the spirit of the classics. With a commitment to high quality journalism, mouthwatering imagery and thoughtful discussion of the genre, our titles have become must-haves for horror fans across the world, and Classic Monsters of the Movies issue #34 is no different, with a range of articles to spark your imagination – not to mention lots of viewings of favourite movies. Whatever kind of horror cinema makes your hair stand on end, we share your love for monstrous motion pictures, so join us for another foray into the fearful.<\/p>\n

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Our passion for classic horror cinema is evident before you even turn a single page of the new bumper-sized Classic Monsters of the Movies issue #34, as Daniel Horne\u2019s gloriously eerie cover painting introduces our lead feature, an in-depth exploration of Hammer\u2019s three adaptations of the work of Dennis Wheatley. In this exclusive piece, award-winning playwright and screenwriter John Logan dives into the wildly different cinematic worlds of The Devil Rides Out<\/em>, The Lost Continent<\/em> and To the Devil a Daughter<\/em>. This insightful narrative examines the social context in which Wheatley wrote, the oftentimes problematic results, and the very different ways they reached the screen. Whether frightening, fun or just plain strange, they all made their mark on the Hammer canon, and this uniquely absorbing article – accompanied by our signature beautiful stills – is just one of many reasons why Classic Monsters of the Movies #34 is an essential for your collection.<\/p>\n

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Of course, there\u2019s plenty more to discover, so once you\u2019ve battled with the demons and monsters of Dennis Wheatley\u2019s Hammer movies, it\u2019s time to face off against some decidedly unorthodox faces on the Island of Lost Souls<\/em>. Nige Burton takes a fresh look at Paramount\u2019s pre-code shocker and discovers its myriad surgically-modified charms in a feature that will leave you longing to see the movie all over again. Propelled by Charles Laughton\u2019s fearsome portrayal of Dr Moreau, with strong support from Bela Lugosi, Richard Arlen, Leila Hyams and Kathleen Burke, Island of Lost Souls<\/em> never fails to shock, its sickly atmosphere creating a pressure cooker of madness and megalomania. Re-enter the House of Pain and discover the meaning of horror as we take you back to a movie that always merits another viewing.<\/p>\n

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They say power corrupts, and Jamie Jones takes a look at the many ways in which horror movies have shown the malevolent nature of those in positions of power. From\u00a0John Carson as the manipulative Squire Hamilton in The Plague of the Zombies<\/em>\u00a0to the cruelty of Vincent Price as Matthew Hopkins in Witchfinder General<\/em> and all manner of wicked clergy, horror movies have never been shy of drawing a line between power and evil. This offbeat article investigates the psychology of control, the temptation of power and the countless ways it can drive the story of a horror movie: the principles are simple, but the interplay between master and servant can be a fascinatingly horrible one.<\/p>\n

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From the warped creations of Dr Moreau and all those control freak monsters, we look at a performer who made himself right at home among some very human-shaped terrors. Classic Monsters of the Movies issue #34 has a gloriously informative biography feature from Alex Hopkins looking at the life and work of actor Donald Pleasence, who made a number of masterful contributions to the stage and screen. You might remember him best as Bond villain Blofeld, but if your penchant is for horror, you might know him best from his turn in subway cannibal thriller Death Line<\/em>, or maybe his most iconic role for you is that of psychiatrist Sam Loomis in the Halloween<\/em> series. Whichever of his roles is your favourite, Classic Monsters of the Movies issue #34 is the perfect opportunity to reacquaint yourself with the compelling work of this gifted performer.<\/p>\n

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Remember, there are 84 pages in the new format Classic Monsters of the Movies, so there\u2019s plenty of room for a whole universe of monstrous thrills. We head back to the pre-code era, and into more tales of power and control, for a look at 1932\u2019s The Most Dangerous Game<\/em>, which pits Fay Wray and Joel McCrea against Leslie Banks\u2019 terrifying Count Zaroff. David Huckvale\u2019s detailed analysis of this thrill-packed feature takes you into the wild tale of a hunt unlike any other. As well as engaging commentary on the movie itself, you\u2019ll discover the many other films that take inspiration from its cinematography, imagery and ideas. It\u2019s one heck of a ride, so get out of that trophy room and into the jungle.<\/p>\n

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An altogether different kind of danger beckons, as Classic Monsters of the Movies #34 heads into a more modern era with Nige Burton’s look at 1990\u2019s stylish, star-studded Flatliners<\/em>. Featuring the likes of Kiefer Sutherland, William Baldwin, Julia Roberts, Kevin Bacon and Oliver Platt, this nightmarish journey between life and death is a cult hit that stands up confidently today. With a wealth of gorgeous stills taking you back to some questionable after-hours medical school experiments, this Flatliners<\/em> feature looks not just at the sheer horror of the subject matter, but also at the story\u2019s many poignant moments, which make its scenes of violent afterlife activity all the more powerful. It\u2019s another reason why Classic Monsters of the Movies #34 is absolutely not to be missed.<\/p>\n

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Feel like the mood needs lightening a little? You\u2019re in luck, as our Kitsch Corner feature takes a spin around Lew Landers\u2019 crazy horror-comedy The Boogie Man Will Get You<\/em>. With Boris Karloff, Peter Lorre and a basement full of scientific equipment, the stage is set for some madcap antics that will raise as many laughs as chills. And who cares if there are a few murders along the way? It\u2019s all in a day\u2019s work for Columbia\u2019s horror classics, so get yourself out of suspended animation and enjoy another unmissable part of Classic Monsters of the Movies issue #34.<\/p>\n

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You won\u2019t find another horror movie magazine out there like Classic Monsters of the Movies. Issue #34 boasts 84 full colour pages, giving you even more of our acclaimed high quality journalism and glorious stills, all printed using full-colour processes to ensure every image looks its best. Printed on fine silk paper stock, with a luxurious gloss laminated cover, it\u2019s finished to A4 size (210mm x 297mm) with a clean design that makes every page a pleasure. From the passion of its inspiration to the care and craftsmanship of its production, Classic Monsters of the Movies issue #34 is truly unmissable.<\/p>\n

Inside Classic Monsters of the Movies #34 you\u2019ll find:<\/p>\n